Captain America: The First Avenger

Rating: 7.1/10

Film Class: B

Genre: Action Superhero

And I thought this movie would be a blast... Considering Captain America is the first avenger... oooowwww.... it turned out there was not much to owwww about. The skinny pre-Steve Rogers was so convincing that I find it almost hard to believe that Chris Evans actually played him. Thought perhaps they superimposed Chris Evan's face on a skinny guy. But from the trivia, they actually CG-ed his body instead.

Steve Rogers is a patriotic citizen of America who wouldn't give up his dream of becoming a military soldier despite his weak physique. Deemed medically unfit countless times, his perseverance finally paid off when a top military scientist decided to give him a chance to prove himself. Impressed with his heart and character, they enlist him for a top secret research project to transform him into the perfect soldier.

*spoilers ahead* I liked the part where Steve Rogers threw his body over a hand grenade to protect his teammates, a classic NS story which stayed with me till this very day. It sounded so magnanimous, however, the movie didn't have a good build up to it. It felt like a quickie, it came before you knew it, and when you knew it, the scene had already passed you by.

Also liked the part where Steve Rogers' body became so chiseled after being injected with the super-soldier serum, or whatever you call it. There was a similar scene in Spider-Man, where Peter Parker woke up to a buff body after being bitten by the radioactive spider. However, in this case, the difference in physique was much greater and the result was more... impressive.

Captain America felt so god-like in this movie. However, I really wasn't too fond of his trademark weapon... a shield. A shield made up of a rare element that can deflect bullets without being scratched. There was nothing really awesome and drool-dripping about it. I'm aware that I can't blame the director for that since the character was as such and the director did good whatever he could to make the shield "feel" awesome... Perhaps a hint too much. *Major spoilers ahead* This is seen for the first scene where there's so much hooha about finding something in the middle of nowhere in the North Pole... and low and behold, it's shield. A little off and disconnected I felt.

I liked Red Skull's look but not so much the portrayal of Red Skull by Hugo Weaving. Hugo Weaving was stellar in the Matrix and V for Vendetta but somehow, his voice didn't quite fit in in this movie. I haven't heard Red Skull speak before, at least not that I can remember, but I would think Red Skull would have a coarser voice to match his burnt, volcanic red face.

While there weren't many scenes which blew me away, the ending did however pack a fine dose of immense anticipation for the long-awaited The Avengers. Do stay tuned for the after-credits scene and trailer for the The Avengers.

Possibly one of the weakest movies of The Avenger's franchise.

Rise of the Planet of the Apes

Ratings: 7.0/10

Film Class: A

Genre: Action

My biggest displeasure about this movie is how the trailer and title distorts the entire storyline and sets a wrong expectation about the film. Will Rodman (James Franco) is a scientist who have been working on a cure for Alzheimer's disease for the past 5 and a half years. After injecting a test ape with the drug, things got out of hand and the project was abolished. However, the test ape left a baby son behind... who was later named Caesar, the lead ape in this movie.

The drug increased Caesar's intelligence by leaps and bounds, but eventually, his inner nature took over... hence, the title, Rise of the Planet of the Apes. I'm not familiar with the Planet of the Apes franchise, all I know is that there a planet run by intelligent apes wearing sliver body armour. The trailer and the title is sure to veer one off the Eden's path.

Because, one, *major spoilers ahead*, the horde of apes, if that's what you call them, seen charging over a car-filled San Francisco Bridge in the trailer isn't a declaration of war on humans but of seeking freedom. And two, there's really no "rise" of the planet of the apes, the word "rise"as a revolting denotation to it. But no, the apes didn't form a horde to battle humans... all they did was to escape from our clutches.

There's something I'm sitting on the fence about. And that's the realism of the Apes. It appeals, yet somehow disturbs. I wouldn't say I liked it because of the realism and "human" essence seen in Caesar's mannerisms and eyes, and I wouldn't say I hated it because of how human they felt to me, with lotsa hair and almost seemed that an-ape-like face was plastered onto a human face. I thought Tom Felton's (evil teenage dude from Harry Potter) really did a great job in this movie because I started hating him almost immediately once he came on screen. His character was extremely detestable, but was so only because of his commendable portrayal.

John Lithgow did whatever he could with his limited screentime, though wasn't fantastic and the eye candy, Freida Pinto lit up the screen with her appearance. Unfortunately, in summary, there wasn't much screentime set aside for the "human" actors and there was a lot of emphasis on the CG-ed apes.

Was an engaging and heartfelt movie, occasional scares here and there but it lacked the "action-packness". In its place, there were many "cool" ape scenes though. Because of the nature of the apes, there's a part of me that was kept at the edge of my seats throughout the movie because I never know when Caesar or his other ape friends would "strike".

I enjoyed it, was a good watch but not one I would constantly be singing praises about. Sequel or not, I'm not spending sleepless nights thinking about it, if it comes, good, if it doesn't, so be it, wouldn't be too sad about it...

The Change-Up

Ratings: 7.7/10

Film Class: B

Genre: RomCom

2 best buds have switched their bodies due to a passing remark said in front of a lady statue at a fountain. Cliche storyline, but with an astounding depth of delivery.

The humor was crude in this movie, especially since Ryan Reynold's character was more on the blunt offending side. One complain is that the body-switch wasn't that convincing. Ie. The cast probably didn't deliver that great of a performance as compared to one of the classic body-switching movies of all time, Face-Off.

It had a few good scenes of humor as well as brief nudity but what really impressed me was the ending. The build up and the "wake-up" call somehow got to me. It's been a while since a RomCom was able to get to me in this manner... most simply fall flat at the end, but The Change-Up ironically soar to greater heights. Unpredictable outcome which exceeded my expectations, overall, it's a pretty darn good movie to catch.

I think what makes a good RomCom is that there has to be a mix of good comedy and romance in it (the trend being so that the Com is the opener, and the Rom is the closer). This movie has 70% comedy and 30% romance. Good enough for me, whilst most simply just have 60-80% comedy, period. It's about time RomComs start changing to be like the Change-Up!

Drive

Ratings: 7.9/10

Film Class: C

Genre: Drama Thriller

Meet this generation's very own Taxi Driver. It is only apt to compare this movie to Robert De Niro's classic 1976 movie, Taxi Driver. The way it was shot and the style reminded me of old school film noir. There's a hint of Taken in it, where the protagonist was cool and invincible-like.

Ryan Gosling acts as an expert driver with few words and emotions. He works as a Hollywood stunt driver, a garage helper and a contract getaway driver. The movie was shot entirely in grainy graphics, accompanied with jarring soundtrack and many freeze-frame shots. There's a weird feel to the movie at the start, during and after the movie - all of which were different. The start was cool, the middle was sweet, and the ending was disturbing.

The reason why I wanted to watch this show was because of a review that my gf had read on a local newspaper, The Newpaper. About how Ryan Gosling was super cool in it. Well, the poster did feature a cool-looking protagonist. I knew about this movie quite some time back since it was released in the US in June this year. However, whenever I see the poster, I would always think the main lead was Daniel Craig. Still, both actors are cool in their own right and it wouldn't have made a difference if either actor starred in it.

Not knowing what the movie had installed for me, I took that leap, hoping to watch something with more substance than just a senseless cool driving movie (like Fast and Furious, no offence to the franchise's fans). Well, it turned out to be too much "substance" for me. It wasn't a roller-coaster ride throughout, there were some parts of it with so much dialogue it kinda felt draggy at times. But then again, it could be because I watched it after a long day at work...

Though it had a typical and predictable storyline, the film style allowed me, and which I believe was intentional, to delve deeper into the characters' psyche. A few freeze-frame-like shots (almost a good 10 seconds just fixated on the characters/lead despite the absence of dialogue), the raw, grainy feel, and the close-up facial shots were all stylistic, and elegantly managed.

Be warned though, this is not your average Hollywood movie. It really messes with your emotions, there you thought you were watching something cool... then sweet... and then everything turned pretty gory. And because of the grainy feel, it felt more "realistic" than other movies even though there was an exaggerated bloodfest at the end.

I love and hate the irony at the end. *major spoilers ahead* The female lead was so "sheltered" and "blind" from everything Ryan Gosling did for her and the unreciprocated gratitude was just too "gek" for me.

Unlike Taxi Driver, there wasn't any cool lines that Ryan Gosling said for us to take home in movie history and there was a lack of consistency with his character. What I couldn't understand was how his character's habits changed through the movie, whether it was intentional or not, it didn't work. At first he was always with a toothpick in his mouth. Then he would always put his left hand in his white scorpion jacket. Where's the consistency in his mannerism? Shouldn't the director have made a conscious effort to ensure that Ryan Gosling still put a toothpick in his mouth even towards the end of the movie?

Anyways, the ending was slightly unpredictable for me. Perhaps I was to be blamed, for thinking like Ryan Gosling... that there just might be a way out of his predicament after all... that the mafia boss could be trusted after all. Even though Ryan Gosling brought a weapon with him at the end, he did hope not to use it.

That said, before I forget, I wanna give credit to Ron Pearlman and Carey Mulligan who lighted up this depressing movie. Ron Pearlman was the vulgar partner to the Mafia Boss, whilst Carey Mulligan was the eye candy in this dark film about a man with no purpose in life... until he met her. While I thought there was a lack in cool car action scenes (perhaps my expectations were built up even before the movie), this movie didn't disappoint me. It turned out to be a mid-paced movie with an ending to look forward to.

Even though I was greeted with a bad first impression - the opening credits was a little too lengthy, with gayish pinkish words flooding the screen and jarring music with disturbing vocals, but soon after that, everything turned out to be... more than a drive, it's a ride to remember.